That DOOM understood Madlib right off the bat. "The most important part of their process is simply and the Stones Throw offices which also housed the infamous Bomb Shelter, home of Otis Jackson Jr., and a frequent hangout for legendary musicians including Yesterdays New Quintet, Sound Directions, Quasimoto, Dudley Perkins, DJ Rels and DJ Such and of course Madlib himself.Īccording to Jeff Jank (who would design the artwork for the album and the singles, remembers how well the blunted duo hit it off right off the beat which quickly led them to begin work on material for what originally was suppposed to be an EP.
First during the initial "Madvillainy" sessions in 2002 when Stones Throw first flew out Daniel Dumile to L.A. That makes it even more intriguing that this rule was broken not only once, but twice. As for DOOM the large majority of songs produed by Metal Face are directly lifted from his instrumental "Special Herbz " series. for complete bodies of work like Freddie Gibbs' "Pinata" and Strong Arm Steady's "In Search Of Stoney Jackson" which were created by the artists receiving hundreds of Madlib beats to freely pick from and record over. It's a well documented fact that a vast amount of songs produced by Madlib or DOOM for other artists happened without either producer entering the studio with the vocalists. Its a well known fact that both Madlib and DOOM are notoriously secluded persons who's interest solely lies in creating music on some secret identity, super hero shit. "Madvillainy" is not only one of the greatest underground hip hop albums of all time but the backstory beind its creation is almost as fascinating as the actual album itself.
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